The work of Portishead co-founder Geoff Barrow, this sharp-edged though slight first film turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) initially steals from an unconscious dealer, then in another flashback tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Darkly Funny Duel
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher arrives, enraged after David strangles his dog. Nevertheless, a darkly funny duel unfolds – David desperate to escape; the Poacher denying his container of scrumpy, intent on soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Vibe
There is only one important plot development, but it results in a comically executed rampage on the forest trails that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
Game releases in British and Irish cinemas from November 17.